The Ascape measures in at 13 feet long and 1350 lbs. “Working together with the team members at Aliner, we feel this will truly please that market that has been waiting for a lighter concept.” For such a small trailer, the space inside is very welcoming,” said Brett Randall, President of Aliner. “The Ascape is a progressive product that we are sure will not disappoint. 030 exterior aluminum skin and high-tech Azdel composites. It has a seldom seen rear entry door, with a drop floor which allows just over 6 feet of headroom yet keeping the total exterior height at under 7 1/2 feet. The Ascape is fairly unique for a trailer in its micro-trailer class, of which that class is rapidly expanding among manufacturers. Avoid.Known for 30 plus years as an A-frame fold down trailer company, Mount Pleasant, Pennsylvania based Aliner is set to bring to the small trailer market an unconventional (for Aliner) travel trailer called the Ascape in 2017. Even those diehard fans of the franchise would balk at what has been churned out here – namely, a deeply cynical call-back which attempts to use cod -psychological justifications and corrupted state care as the creation behind a monster. It’s a huge insult to the original film, which remains a phenomenal achievement in horror, and is more than capable of still terrorising an audience over forty years after its initial release. the law coming-of-age film is ditched almost immediately and turns into yet another gore bore with zero substance. What threatens to briefly turn into a semi watchable disturbed teens vs. Another scene of the movie.ĭirecting duo Julien Maury and Alexandre Bustillo who made a splash on their home turf with the 2007 French home invasion horror Inside (À l’intérieur) know how to stylishly frame the blood-letting amongst the sweltering Texas heat and cornfields. Before you can say “plot device”, a riot breaks out and the compassionate nurse is forced to become a hostage for the extended gang of Bug and Jackson’s inner circle of misfits. She quickly forms a bond with two male patients – the hulking, almost mute Bud, and charismatic, if edgy, Jackson. Ten years later, a young idealistic (read: pin-up sexy) nurse begins working at the same reformatory where mini Leatherface was carted off to. The youngest member of the clan is than carted off to a boy’s home by a vengeful sheriff, played by another familiar 90s cinematic figure, Stephen Dorff (does he and Taylor share the same, lazy agent?). Subtly is completely out of the window here. You can’t really get more on the nose than that. We’re witness to the twisted matriarch of the Sawyer family (90s US indie movie mainstay Lili Taylor – deserving of a much, much, much, much better film) encouraging her youngest son, whose birthday they’re celebrating, to torture a thief using a chainsaw. The opening scenes in this prequel to the 1974 iconic horror The Texas Chain Saw Massacre can’t help but underscore everything wrong with the notion of trying to explain away the birth of a villain. Witnessing fan’s disappointment in seeing the feeble origins of Darth Vader – arguably the most fearsome villain in cinema history – in the largely reviled and deeply unnecessary Star Wars prequels still doesn’t appear to be enough of a warning sign for those wanting to breathe life back into a long-dead franchise.
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